Developed to optimize the use of energy-efficient fluorescent lamp technology for television broadcasting, the Brightline SeriesONE family provides unparalleled performance and reliability in a format engineered specifically to harmonize with a wide range of digital cameras. Available with 1 or 2 lamps, the durable yet lightweight fixtures feature compact, 55-W, advanced-phosphor lamp formulations and a variety of dimming-control options including phase, DMX, and DALI, with linear dimming to 3%. 

 The Delvcam DELV-HD7 is the latest addition to the Delvcam LCD lineup with a focus on bringing cost effective HDMI LCD monitors to the broadcast industry. It features HDMI & VGA inputs, as well as dual composite video and audio inputs, in a rugged high performance chassis. It's the best answer for applications where HD and VGA displays are needed in ENG / EFP applications, OB trucks and mobile operations. Its 1/4-20 bottom mount allows it to be quickly mounted just about anywhere when coupled with Delvcam's vast array of LCD mounts. It also features a VESA 75x75 mount for easy mounting on a filler panel or swivel arm. A power friendly LCD... it works on 12 Volts DC and is shipped with a universal 110/220 power adapter.

Specs:

• HDMI input, VGA input (15 pin D-SUB analog RGB interface)
• Supports High Resolutions - up to 1920x1440 (H x V) formatted
• Automatic Display Adjustment
• High-brightness LED backlight, minimal life time 20,000 hours
• 4 adjustable backlight levels for daytime or night-time use
• 2 RCA video inputs, audio input
• NTSC/PAL color system
• Loudspeaker built-in
• Full-function IR remote control
• Multilingual OSD menu
• Size/Type: 7" Diagonal TFT-LCD
• Resolution: 800 (H) x (RGB) x 480(V)=1,152,000(dots)
• Video input signal: 1.0Vp-p, composite video
• Aspect ratio: 16:9
• Contrast / Brightness: 500:1 / 300cd/
• Viewing angle: 70/70(L/R), 50/70(U/D)
• Operating temperature: -20 Deg. < ~ 70 Deg.Storage temperature: -30 Deg. < ~ 80 Deg.
• Power consumption: .8W
• Power input: DC 12VDC
• Dimensions: 7.4"W x 5.0"H x 1.6"D
• Mount: VESA 50x50
• Weight: 0.95 Lbs. (0.42kg)

2 Fixtures include Center Mount, Gel Frame, Louver and built-in barndoors.

On location, lamps get to full color temperature in three minutes.

All-in-one design with built-in Dimming Ballast.

Remote dimmer capability.

4-Lamp/2-Lamp switching.

Low amperage draw - can plug in to any household outlet.

Slim profile ideal for shooting in small offices, hallways, or cramped quarters.

Same fixture uses 55Watt compact 5500K (Daylight), 3200K and 2900K (Tungsten) lamps.

Full spectrum (CRI 95) lamps available in 3 color temperatures: 2900K, 3200K and 5500K.

High color rendering True Match lamps work well alongside conventional quartz lights or HMI's.

Center Mount for horizontal and vertical axis rotation.

The eyeSpy line of DSLR rigs are ideal for any filmmaker who wants a shoulder-mounted ergonomic support system for their DSLR. 

• Two 18" 15mm carbon fiber rods
• Two 9" 15mm carbon fiber rods
• Padded shoulderpad with rod clamp
• Rod offset kit (for centering the camera for viewfinder use)
• microHandGrip
• DSLR baseplate
• microFinder loupe accessory for optical viewfinder

The microFollowFocus version 2 is a new version of the award-winning microFollowFocus. The new version sports a unique quick release clamp, 3D marking disk, lighter weight design, and compatibility with the Redrock 19mm follow focus clamp. The microFollowFocus version 2 continues the tradition of great features including all-geared design with play-free action, precision machined aluminum construction, standard arri-style accessory port, and standard film pitch gearing. The sliding connector allows the microFollowFocus v2 to be adapted to a wide range of lens diameters, and is fully compatible with cinema lenses that have standard film pitch gearing (0.8 mod32) Weight: 420g

• Gearing "C" and "D"
• New larger 3D marking disk
• 0.8 mod 32 film pitch drive gear
• Quick release clamp (Patent Pending) for 15mm lightweight (60mm spacing) rods
• NEW also includes a Redrock grease pencil for marking focus stop

Specs:

• Compact, low energy 216w fluorescent softlight with intensifier
• High output from efficient reflector design & optically matched frontal intensifiers
• Built-in high frequency electronic ballasts increase output and eliminate flicker
• Excellent colour reproduction from special high Colour Rendering Index (CRI) compact fluorescent lamps
• Durable construction for studio or location use
• Dimmable to between 25 and 10 per cent
• Models available with intensity controlled by phase controlled dimmers or from DMX or 0-10V analogue input
• Low heat and glare gives more comfortable conditions for performers
• Available for 115V and 230V operation

The DR-100 from Tascam is a professional-quality portable digital field recorder designed for musicians, journalists, and more. The unit has 4 built-in microphones, 2 cardioid and 2 omnidirectional, with analog limiting and filtering features to provide excellent audio quality. Dual XLR inputs with +48V phantom power allow you to connect your favorite external condenser mics. Line in and out 3.5mm connectors allow you to connect additional sound sources, mixers, or speakers.

• Type - Hand-Held Stereo Digital Audio Recorder
• Recording/Reading Methods - SD or SDHC Card (64MB to 32GB)
• Recording Bit Rate - WAV: 16 and 24-bit - MP3: 32-320 kbps, VBR
• Sampling Frequency - WAV: 44.1 and 48kHz - MP3: 44.1 and 48kHz
• Number of Channels - 2
• Frequency Response - 20Hz - 20kHz
• A/D Conversion - 24-bit
• D/A Conversion - 24-bit
• Connectors - 1 x Power Input, 1 x 3.5mm Line Input, 1 x 3.5mm Line Output, 2 x XLR Mic Inputs, 1 x 3.5mm Headphone Jack, 1 x 3.5mm Remote Jack, 1 x Mini USB Port
• Dimensions (WxHxD) - 3.1 x 6 x 1.4" (80 x 153 x 35mm)

The Panasonic AJ-P2C016AG is a 16GB "A-Series" memory card for the P2 professional video storage system. It can be used in all Panasonic cameras using P2 technology and features at data rate of 800 mb/s.

The Panasonic E-Series AJ-P2E016XG is a P2 memory card featuring sophisticated memory techology, resulting in lower cost and higher transfer speeds when compared with the A-Series. The cards is reusable for 5 years when used once daily and is supported by the entire line of P2 products.

A transformerless, externally polarized line + gradient capacitor microphone. It has been specially created to meet the critical long distance pickup demands of broadcasting, film/TV sound, professional recording and theater sound reinforcement.  The AT4073a features a broad band, linear on axis frequency response, with maximum rejection of sounds from both the sides and the rear of the microphone. Rear polar lobing, common in shotgun microphones, has been greatly reduced and the off axis response remains highly uniform. The resultant lack of sound coloration on and off axis makes the AT4073a particularly useful for miking dynamic action in film/TV audio as well as in "spot" miking techniques in the music studio or theater.

• Complete shotgun microphone solution, complete with camera mountable shock mount and XLR cable.

• Designed for critical long distance pickup in broadcasting, film/TV production and theater sound reinforcement applications.

• Direct coupled, balanced output ensures a clean signal even in high output conditions.

• Exclusive acoustic design provides same directivity as mics up to 50% longer.

• Switchable 150 Hz hi-pass filter.

• Rugged housing made of lightweight structural grade aluminum alloy.

Features a detachable "turtle" base that can be removed for easier transport.  This black finish kit includes a 2.5" grip head and 40" arm.  The innovative design of the Century Stand base allows individual legs to be set at any angle, and can be positioned in locations not possible with classic stands.

• The included grip arm and grip head can support a small light fixture, or reflector.

• Durable black finish resists all weather conditions.

• Ergonomic "T" shaped handles are "captive" -- they do not come off the stand when unscrewed.

A professional video tripod kit for camcorders up to 35 lbs. This kit features the heavy duty 526 Pro head and the 545B two stage tripod. The tripod offers great torsion rigidity for better stability and a mid-level spreader for a variety of applications.

• 526 Head

The Bogen/Manfrotto 526 fluid video head is targeted toward the heavy-duty ENG and EFP video market with the ability to support top loads of 35 lb (16 kg), a replaceable pan arm rosette, and large rubber padded pan, tilt, and drag knobs. The precise fluid drag system has low, medium and high settings, plus zero drag for snap-pans and tilts.

• 545B Tripod.

The 545B is the two-stage, twin leg, lightweight aluminum video tripod with excellent torsion rigidity and payload(55 lbs. /25kg). This model comes with a mid-level spreader.

• Case

The system comes with a soft case for excellent transportation capabilities.

• Five, 25' extension cords.

• 2 Quad boxes.

• Roll of gaff tape and electrical tape.

• Two 500 watt dimmer packs.

• Bundle of C-47s.

• 6 large A-Clamps.

• Black drape.

• 2 Large mover's pads.

• Silver, White, Gold, Silver-Gold, Translucent.

• Boom Lightstand-Reflector Holder.
 

Bright orange 20 lbs saddle style sandbag has two wings, to allow draping over light stand legs. Each side of the bag has a hand strap for easy handling and hanging on hooks.

• Outer shell is water resistant, heavy duty cordura nylon, inner shell is Polypropelene.

• Handles on both sides are heavy duty polypropelene with a Military style sewn box and cross for extra strength.

Features 5 telescoping sections, lightweight graphite construction, captive collet locking system and soft-touch rubberized collars with dimpled grip.  The rain resistant construction is also dent proof, and weighs just 1.682 lb for easy handling and portability. Eight layers of graphite also resist handling noise. The K-102FTS features an internal straight cable that flows-through the opening of the short "stubby" base.

• The K-102FTS features an internal straight cable that flows-through the opening of the short "stubby" base.

• The Klassic series poles feature graphite construction for lightweight, dent resistant handling and minimal noise.

• The rubberized, dimpled grips stay firm even when wet.

• Each section features easy locking due to the low-torque captive colette locking system.

• Material:  Graphite.

• Sections:  5

• Minimum Length:  2.3' (70.10cm).

• Maximum Length:  8.9' (271cm).

• Weight:  1.682 lb..

This is a five light kit, with plenty of accessories to alter the shape, color and intensity of the lights. It has light stands, and a large soft kit case to hold it all.
The Rifa-Lite EX 55 is a compact, self-contained, 21 x 21" 500 watt collapsible softlight that uses an umbrella design allowing set-up in 60 seconds or less. Choose between low- or high-wattage halogen, screw-in fluorescent or incandescent lamps, using different modules. Bathe almost anything, from talking heads to table-top stills in luxurious soft light. It's the perfect complement to today's compact, light sensitive, digital cameras and filmstocks.

With its high intensity #2 Reflector & Prismatic Glass, the tiny focusable Pro-Light is more efficient than a mini-Fresnel of equal wattage, yet it gives an exquisite even light, with Fresnel-like shadow quality. It can be used as a low-level key or accent light, fill light (with diffusion), or backlight.

Powerful enough to light a small room yet small enough to fit in a large pocket, the V-light can be used as a broad key-light, a fill-light (with an umbrella or diffusion gel), a back-light, or a background light. It's also excellent for copy work.

• The Pro-Light and Rifa-Lite quick change power cords easily convert for use with professional battery belts, allowing them to work at 12/14 and 30VDC in addition to 120 and 230VAC.

• Use the included light shaping devices to alter the color, intensity, quality and shape of the light emitted from each fixture.

• The LB-35 soft kit case holds everything, including the light stands.

• 1900 Total Watts.

• 2-Pro, 2 V-Lights, 1 Rifa EX55 Softbox Light.

• Barndoors, Scrims, Gel Frames, Gels, Flag, Lobo, Clamp, Mount, 120V Bulbs, Stands, LB35 Soft Case.

Backdrop Alley 10 x 12' Muslin Chroma-Key background (Green) - suitable for video, or still photography.  Features a 4" hem on top and bottom with 5 eyelets on the top for hanging.

Impact Muslin Sheet Background - 10 x 24' (Black) - suitable for video, or still photography.  Features a 4" hem on top and bottom with 5 eyelets on the top for hanging.

Backdrop-Alley Reversible Muslin Backdrop (10 x 24', Medium Blue/Graphite) - suitable for video, or still photography.  Features a 4" hem on top and bottom with 5 eyelets on the top for hanging.

Backdrop-Alley BAM12RRD Solid Muslin Background (10x12', Cranberry Red) - suitable for video, or still photography.  Features a 4" hem on top and bottom with 5 eyelets on the top for hanging.

A handheld P2HD camera which builds on the tradition and success of the AG-HVX200. The camera's enhanced sensor provides lower noise levels while increasing sensitivity in low-light situations. Unlike the AG-HVX200, the AG-HPX170 does not include a tape drive, opting for a lighter and more durable frame. In this case "less" certainly means more; removal of the deck translates into a variety of extra features, including a 75mm lens with improved wide-angle capability, vector scope, waveform monitor, HD-SDI output, a 6-Pin locking FireWire port, and 3 focus-assist modes.

• Good Things Come In Small Packages.

The AG-HPX170 feels much like the acclaimed AG-DVX100, as opposed to its more similar and larger cousin, the     AG-HVX200. Reducing weight makes the camera easy to hold; at 4.2 lbs the camera is very comfortable on long shoots.

• Professional Camera Functions.

The AG-HPX170 comes equipped with a variety of professional features usually unheard of for a camera in its class. Features include an HD-SDI output for shooting uncompressed footage directly to a deck or computer. The     camera also comes with a 6-pin locking FireWire port making it more robust and less prone to accidental yanks. Other functions include a waveform monitor, histogram, vector scope and delete-last-clip button.

• P2 Flash Memory Recording Storage.

P2 is a recording medium for professional systems. Since P2 cards use no drive mechanisms, they provide superior resistance to impact, vibration and temperature changes. There is currently a choice between 16GB and 32GB P2 cards. A 32GB card will record 32 minutes of the highest quality HDTV video, 88 minutes of 720p/24 frame video or over 2 hours of standard definition DVCPRO25/MiniDV video.

• Superior Quality Lens.

The 13x zoom lens system features 13 lens elements in 10 groups, including three aspherical lenses. Panasonic has reduced the front lens element from 67mm on the AG-HVX200 to 53.2mm on the AG-HPX170. The use of low-dispersion glass reduces color aberration while a multi-coating process minimizes flare and ghosting.

• Super Sensitive CCDs.

Each pixel has a large light-receiving area, giving this advanced 1/3" progressive CCD the kind of high sensitivity not available in previous compact HD cameras. This advanced CCD combines with a newly developed 14-bit digital signal processor (DSP) to achieve a balance of high resolution and high S/N ratio that rivals even the most sophisticated HD broadcasting cameras.

• Advanced Digital Signal Processor.

The AG-HPX170 advanced digital signal processor uses 14-bit A/D conversion and 19-bit inner processing to attain unprecedented accuracy. While the camera does not record 1080/60p, it is from this capture that all other signals are made. The DSP performs a variety of adjustments, including eight types of gamma settings, for     each of the R, G and B channels. It also converts the signals to HD or SD format. With a performance equivalent to the processors used in many higher-end HD cameras, this DSP helps the camera deliver beautiful images in all video formats.

• DVCPRO HD Codec

Using the DVCPRO HD codec recording system, the AG-HPX170 records HD video with outstanding image and audio quality onto a P2 card in file format. This codec, thanks to a low compression ratio     at a video bit rate of 100 Mbps (1080/59.94i, 720/59.94p) and the easy-to-edit intraframe compression system, is suitable for recording fast-moving subjects with no motion artifacts other than motion blur. The 4:2:2 sampling rate minimizes jaggies at chroma edges and is advantageous in image and compositing. Sound quality is excellent too, thanks to DVCPRO HD's uncompressed 16-bit, 4-channel digital audio recording capability.

• VariCam Functions.

The AG-HPX170 inherits many of the functions of the popular VariCam which enhanced the production of movies and television programs. It has variable frame rate features that respond to fast and slow action. Its true 24p/30p progressive video, cine-like gamma curves, and cine-like color matrix capture images and scenes with much the same look and feel as footage from a film camera. All controls and system interfaces are designed to meet professional needs.

• Optical Image Stabilizer.

The optical image stabilization system ensures glass smooth images even with moderate shaking while shooting hand-held.

• Weight: 17 lbs.

• Load capacity: 350 lbs. (24 cu. ft.).

• 4x1.0-inch front swivel casters w/o brakes.

• 6x1.50-inch rear wheels.

• 25 and 20-inch (front, rear) foldable sides.

Provides economical, bright tungsten-halogen light with Three (3) 24 x 32" (60 x 91 cm) softboxes, and light stands that rise to a height of 7' 10" (2.4 m). The included soft padded case stores all of the fixtures and the accessories. This kit is ideal for portrait or product photography.

• Fan Cooled for safe continuous use with the softboxes.

• Variable Power with rheostat knob to dim the light emitted.

• Softboxes with silver inner reflectors, detachable inner diffusers.

• Light Stands - Compact 4- section aluminum light stand rises to a height of nearly 8' (2.4 m).

• Kit Case - Soft nylon case measures 28.5 x 8.5 x 13.3" and has interior compartments.

The latest addition to Sennheiser's Evolution family of wireless microphones. The UHF wireless microphone system features 1440 tunable frequencies and 4 frequency presets. This system includes the EK100G2 camera mountable receiver, SK100G2 body-pack transmitter and ME2 omnidirectional lavaliere microphone.

The EK100G2 receiver is made of a durable metal enclosure and features a full functional LED display. The receiver features a 1/8" unbalanced TRS mini output for quick connection to camcorders. The receiver features 4 preset memory locations that can be reassigned to any of the 1,440 available frequencies, within the 32MHz tuning range.

The SK100G2 body-pack transmitter features an identically designed enclosure as the receiver. It also features an LCD display and 4 preset memory locations that can be reassigned to any of the available 1,440 frequencies. The transmitter features an 1/8" locking-mini input for compatible lavaliere microphones. The ME2 omnidirectional lavaliere microphone features a sensitivity and frequency response suitable for capturing in the most demanding environments.

• UHF Transmission allowing longer range and few drop-outs and interference.

• Flexible Frequency Options.

• The system is pre-configured with 4 preset channels, however the channels can be reconfigured with any of the available 1,440 frequencies within the 32MHz range.

• Comprehensive Display LED display provides channels and frequency information as well as battery life, usage time, signal status and more.

• Rugged Metal Design enclosures designed to withstand the rigors of road use and the elements.